L’Étincelle
The starting point. A few notes played at the piano, kept in their original, brief form.
Piano score (PDF)
FRANTZ AGENIS II · 2026
À mon heure
À mon heure began with a short piano motif. Here are the first take, two solo piano developments and a chamber arrangement, together with their scores.
4 instrumental recordings4 min 12 s
Listen to the collection 
A short piano performance by FRANTZ AGENIS II is the source of the whole collection. L’Étincelle preserves that initial gesture; the other three recordings explore what could grow from it.
A – A – C – A – F – A – F – A – F – G
The first score sets the motif into a regular rhythm so it can be read and played. The original recording keeps the timing of the performance.
À mon heure
Listen
À tâtons
The motif takes on a longer form. The piano explores its repetition and its first transitions.
Piano score (PDF)À mon heure
The developed solo piano piece. The initial motif becomes the starting point for a more extended musical journey.
Piano score (PDF)Horizon libre
The piano is joined by flute, violin, viola and cello. The same musical material unfolds through different instrumental colours.
Full score (PDF)To read & play
The scores
The complete collection
All four pieces in a single 22-page PDF. Individual piano scores are also available beside each recording.
Open the collection · 2.4 MB (PDF)Horizon libre
The chamber arrangement: a full conductor score and a separate part for each instrument.
Credits & production
Initial motif, original creation and artistic direction: FRANTZ AGENIS II. L’Étincelle is the original piano performance. Musical development, arrangements and production of the developed versions were created with AI assistance. Tracks 2–4 use virtual instruments.
Piano sound: Salamander Grand Piano V3 by Alexander Holm; SF2 adaptation by Roberto / FreePats, under CC BY 3.0. Piano library credits.
Flute and strings: FluidR3, Frank Wen and Toby Smithe, under the MIT licence.
© 2026 FRANTZ AGENIS II · All rights reserved.
For a performance, recording or other use of the music, get in touch.